Is the game up at Decipher? Lawsuits are mounting and fans restless Warren L. Holland Rick Eddleman

by Seth on July 25, 2010 · Filed Under Business, Current Events, Gaming · 4 Comments 

Will the empire strike back and undo the brilliance behind a privately held company that has a shrinking presence on Granby Street? Sounds like the perfect plot for a new card game.

Unfortunately, the future is murky for Decipher Inc., a Norfolk-based game card company. It found huge success with its Lord of the Rings, Star Trek, Star Wars and How to Host a Murder games, but it has been plagued by personal and professional lawsuits during its tenure.

Even a group of disgruntled tournament winners, formerly loyal fans, is threatening to bring the house down.

Decipher, owned by Warren L. Holland Jr., has had three rounds of layoffs this year totaling at least 50 people, according to several former employees. They said the company’s health insurance has been canceled, too.

Holland sold his 10,000-square-foot building at 253 Granby St. about two weeks ago and is leasing office space next door. Dr. Sture Sigfred, a radiologist who owns about a half-dozen other buildings downtown, said he purchased the building.

There are pending cases brought by Decipher against its former chief financial officer, Rick Eddleman, that begin proceedings in January 2006, and a Kathy Eddleman, with a scheduled hearing for Aug. 26. Several other cases are listed in court records as well, including one in April that required Holland to pay Sentara Hospitals almost $2,700.

Despite repeated attempts, INSIDE BUSINESS was not able to reach Holland or any representatives of his company. The phone was not answered. One employee who was contacted changed her voice mail message one week later to say she no longer works for Decipher. Calls were referred to another employee, Becky Higgerson, who also did not return a phone call.

Randy Muir owns Wild Things, a Salem, Ore., store that sells Decipher’s card games. He said he has done some of the same conventions with Decipher for a decade.

“I have no real problems with them,” said Muir, even though Decipher owes him a reimbursement for products that he ordered and never received. “The product will not arrive. I will be reimbursed with a future product.”

Overall, he said the company isn’t as prompt or professional as it used to be.

“It’s not unexpected, given the layoffs,” Muir said. “A lot of this stuff is like writing on the wall. Other businesses like this have already gone down.”

Meanwhile, the fans are getting restless. John Hawkins, also from Salem, won $2,500 at a Las Vegas tournament in March, the Decipher Vegas Open, and has yet to be paid. The winnings of three other friends bring the amount to over $4,000.

“They are very evasive and don’t answer our phone calls,” Hawkins said. “They’ve treated us well in the past and poorly in the past. They seem to put profits ahead of customer concerns.”

Hawkins has assembled an even larger group, 16 players who are owed tournament money, to take legal action against Decipher. He said he has heard from friends and retailers who order Decipher’s products that the company has closed down two of its three Norfolk warehouses.

“They are shrinking their business to try to get down to a size that is manageable,” Hawkins said.

Chris DeNoma, also of Salem, said he and Hawkins have been playing Decipher games since they were teens.

“We’ve been playing card games since 1994,” DeNoma said. “It’s like a more complex game of chess.”

“We spent money flying down there and on hotel rooms,” he said, referring to the Las Vegas tournament. “It’s just odd that it’s being handled the way it is.”

Some of Decipher’s message boards are rife with fan complaints about unfulfilled orders and speculations on the company’s future. Players want to know if others are experiencing problems with fan dollars, which are credits awarded for purchases.

According to the Decipher Web site, it costs 99 cents a month to belong to the fan club. Others log on to the message boards with no complaints and simply to trade cards.

Decipher has also delayed the sell dates for some highly anticipated products, including Star Trek and Lord of the Rings games. A message posted on its Web site July 29 by “Dan Bojanowski, brand manager,” attributes the problems to production delays.

By Janet Dunphy
Inside Business – Hampton Roads

Is Ubuntu an Operating System?

by Robert on July 8, 2010 · Filed Under Technology · 2 Comments 

Is Ubuntu an Operating System?

Is Ubuntu an operating system? Last week at EuroOSCON, Mark Shuttleworth gave the closing keynote outlining what he believes are the major struggles faced by the open-source/free-software community. During his talk, it became clear that Ubuntu is trying to achieve a radical shift in the software world. Ubuntu isn’t trying to be a platform for mass-market application software: it is trying to be the primary provider of both the operating system and all the application software that a typical user would want to run on his machine. Most Linux distributions are like this, and I think it is a dangerous trend that will stifle innovation and usability, or even worse make the desktop irrelevant.
Mr. Shuttleworth’s initial point was one that few people disagree with: that software installers are bad for users and usability. Indeed, the typical method of installing Windows software (downloading a setup.exe file from a website or running it from a CD) manages the software very poorly. Each vendor must construct its own scheme for where to install, how to update, and most of all how to manage dependencies between pieces of software. Of course, Windows has guidelines about installing to C:\Program Files\Vendor\Application Name, but even Microsoft does not consistantly follow the rules. Everyone recognizes that installers are not good for users, even Microsoft, who in an effort to fix the mess invented the (complicated and poorly-tooled) MSI installer format. Apple uses disk images, application bundles, and relocatable software to avoid the problem. It is good to see a major Linux distribution thinking through the problems that installers present.

Mr. Shuttleworth’s statements, however, go much deeper than the technical deficiencies of Windows installers. He talked about how Ubuntu was leading a paradigm shift away from “users installing software” towards a system where all the software a user needs is provided by the operating system. Ubuntu should provide all the software a users needs or wants in the packages. Does that mean that users should not be installing software directly? According to Mr. Shuttleworth, the way to provide a good user experience is for users’ software should be provided by the central Ubuntu repository and managed through the Ubuntu update system.

Granted, Ubuntu has done a good job of making the Linux desktop usable1. A properly managed centralized software repository can make it a lot easier for users to confidently choose software that is tested and compatible with their system. By releasing an entire set of software that has been tested together, Ubuntu can provide the necessary support to guarantee the suite will work together more seamlessly and provide a better user experience.

Users must be able to make their own software installation decisions.

People use Windows because the software they want uses Windows2. People have an amazing variety of wants. There are those who cannot install Linux because a particular piece of software they need is not available, be it InDesign or a specialized accounting program, or any number of new products that have yet to be conceived.

Free-software fundamentalists and practicalists often loudly disagree whether encouraging proprietary software on Linux is irresponsible or essential. It is either misguided or arrogant, however, to think that all users’ needs can be met by a central software repository, even if all software were open-source and free. Some of the best software available today started out small, was distributed on the internet, and made popular by word of mouth. The impetus of “Download Now” is strong, and promotes healthy competition and diversity. Whether a video player by a startup company or a newly-released version of Firefox that hasn’t yet made it to the central repository, stumbling blocks in the software distribution process caused by this centralization will reduce the ability for small projects to promote new software through viral marketing.

This is not an absolute restriction. Authors could provide the download as a .tar.bz2 archive or even .deb package, but those types of packages require the user to perform complicated actions such as opening a terminal and knowing the magic incantation. Ubuntu cannot prevent users from installing software, but it does intentionally make installation difficult. If Ubuntu achieves mainstream status, an alternative packaging format that allows users an easy way to install software will inevitably emerge (e.g. AutoPackage). Instead of fighting this tendency, Ubuntu should embrace the world of “external” software, and provide a simple and standard way for users to install these packages.

If application developers can’t attract users to the desktop, the only alternative is for new applications to be deployed entirely on the web. Although some people believe that the trend of applications moving onto the web is irreversable, I’m more optimistic. There is value, power, and security in the desktop. But without cooperation, I certainly wouldn’t plan to deploy my next application on Linux.

Allowing users to install their own software does have some consequences. Unfortunately, the discussion of how the software should be packaged and distributed quickly devolves into flamewars over the relative merits of RPMs, dpkg, or <insert technology here>. This is counterproductive, ignoring the fundamental issue: Linux software is typically not a self-contained package that could be placed in a single directory. A collection of files that are variously placed in /usr/bin, /usr/share/man, and perhaps many other locations, making it very difficult to relocate binary software because library dependencies are resolved to a fixed set of paths, and never relative to the binary location.

I do not pretend to have a solution in hand for installing software on Linux. I think that Mac-style application bundles could be made to work, but supporting them would require additional features in the dynamic linker, along with something like mac Launch Services to provide good cross-application integration. In addition, since regular software updates are an essential part of modern system security, it is important to have a good and simple way to update software. If distributing software in relocatable packages is completely impractical for technical or social reasons, the same problem could perhaps be solved by allowing users to easily install packages from non-default software repositories.

The final (and perhaps most pernicious) problem when thinking about redistributable software is the ongoing binary incompatibility between various Linux distributions and between versions of the same Linux distribution. While it is important not to hold back development of new features, it is a problem that every major operating system has had to face, and has faced (more or less) successfully. This is a problem that needs to be faced at all levels of the software stack, from the compiler to final packaging. Perhaps, if Linux in general and Ubuntu in particular continue to disclaim responsibility for ABI changes, software will use managed runtimes or scripting languages out of necessity to isolate itself from the shenanigans of the underlying OS. As it is, creating software that is compatible with multiple Linux distributions in multiple flavors is a nightmare.

This attitude is not unique to Ubuntu. Although this essay is inspired by an Ubuntu keynote, it applies to all the Linux distributions. Ubuntu should not be marked for special criticism, except that I hoped their focus on users and usability would lead to better appreciation of and support for user-installed software. Since Linux vendors are typically in the support business, they can define a set of software that they package and support; they have little financial incentive to do serious work on binary compatibility or software installation.

Free-software zealots may be also to blame: “users have the software source code, they are free to compile and install it themselves!”, mixing a philosophy and a technical decision which are not inherently related. Human nature wants software that works, and this includes software which can be installed and tried without the technical prowess needed to unpack software and run “configure && make && make install” and interpret the resulting console spew to figure out whether it succeeded or not and then figure out that you really needed make 3.80, and your gnome headers are too old, or too new, etc.. The issues of licensing software freely should be divorced from the ability of users to install and use the software.

In the process of creating a usable and supportable Linux, Ubuntu has created a software cathedral with “more than 16,000 pieces of software”3. I do not wish to disparage this effort; this cathedral has produced a usable Linux desktop. But the Linux desktop must also provide a method for users to install software from the bazaar. Unless Linux provides a software installation mechanism, the central Ubuntu software repository will stifle the development of the software it is designed to distribute and protect.

Notes:

  1. # Why did Ubuntu choose the obnoxiously self-gratifying motto “linux for human beings”? Of course it’s for human beings; the question is whether those humans can use it.
  2. # For the purposes of this essay, it’s not important why developers write software for Windows, or whether the application/OS cycle is vicious or virtuous.
  3. # http://www.ubuntu.com/, 2-Oct-2006

source: BSBLOG

American Dream

by Seth on June 29, 2010 · Filed Under ramblings · 2 Comments 

American Dream

There are many concepts of the clichéd American Dream. Former President Bill Clinton’s administration believed the American Dream to consist of everyone residing in America to enjoy comfort and free medical care (Roark 1135). Dr. Martin Luther King, Jr. believed the American Dream to be one of racial equality, as Barnet and Bedau described in their reproduced speech (803-806). Different people romanticize various notions of monetary, racial, and religious equality, diversity, and tolerance. This assortment of liberal ideals has caused the Americans’ accord to stray from the actual dream.

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Michael Steven Bublé

by Bethany on May 28, 2010 · Filed Under Entertainment · 2 Comments 

Michael Steven Bublé (born 9 September 1975) is a critically acclaimed Grammy-nominated, multiple Juno Award-winning Canadian crooner, big band singer and actor. While achieving modest chart success in the United States, his 2003 self-titled album has reached the top ten in Canada, the UK and Australia. In 2004, a live album and video called Come Fly with Me was listed on the Billboard music video charts and reached Australia’s top 40 album charts. He reached commercial success in the U.S. with It’s Time. He currently lives in Vancouver. His third album, Call Me Irresponsible, was released on May 1, 2007

Michael Buble

Early years

Bublé was born in Burnaby, British Columbia. He is of Italian descent with dual citizenship in Italy. He graduated from Cariboo Hill Secondary School. Bublé grew up listening to his grandfather’s collection of jazz records. On his website, Bublé highlights the importance of his grandfather in encouraging his musical tastes. “My grandfather was really my best friend growing up. He was the one who opened me up to a whole world of music that seemed to have been passed over by my generation. Although I like rock and roll and modern music, the first time my granddad played me the Mills Brothers, something magical happened. The lyrics were so romantic, so real… the way a song should be for me. It was like seeing my future flash before me. I wanted to be a singer and I knew that this was the music that I wanted to sing.”

Bublé’s grandmother encouraged him to learn the standards that he loved and to enter a talent contest in Vancouver which he won before a later disqualification for being underage. Not discouraged, he won first prize in a Canadian Youth Talent Search at the age of seventeen.
For the next few years, Bublé pursued a musical career without great success. He appeared as Elvis in a Red Rock Diner road show and sang as a star of a musical revue called Forever Swing. He also appeared in an episode of pleth Game in 1996. He recorded a couple of independent albums, one as a present to his grandfather. Bublé received two Genie Award-nominations in 2000 for both songs he wrote for the film Here’s to Life starring fellow Canadian Eric McCormack.

Career breakthrough

Bublé’s career breakthrough came when Michael McSweeney, associate to former Canadian Prime Minister Brian Mulroney, saw his performance at a business party. Having enjoyed Bublé’s performance, McSweeney was given an album, which he gave to Mulroney and his wife. Bublé was then invited to sing at the wedding of Mulroney’s daughter Caroline in 2000, where he sang Kurt Weill’s “Mack the Knife”. At the wedding, Brian Mulroney introduced Bublé to David Foster, a multi-Grammy award winning producer and a Warner Brothers record executive who had worked with Josh Groban previously. Foster signed Bublé to his ‘143′ record label, producing the self-titled album Michael Bublé in 2000. The album features a range of standards from various eras including “Fever”, “The Way You Look Tonight”, “For Once in My Life”, Van Morrison’s “Moondance” and Lou Rawls’s “You’ll Never Find Another Love Like Mine”. Barry Gibb of the Bee Gees sang back up vocals on Bublé’s version of the group’s “How Can You Mend a Broken Heart?”.
Michael Bublé was released in early 2003 and soon entered the Canadian album charts. Chart success in the UK, U.S., Australia and elsewhere soon followed with the album going Platinum and reaching the top ten of the album charts in the UK and Canada and going all the way to #1 in Australia. The album has reached the top 50 of the Billboard 200 album charts in the U.S. His version of George Michael’s “Kissing a Fool” was released as a single from the album and reached the top 30 of the Billboard Hot Adult Contemporary Tracks chart. “How Can You Mend a Broken Heart” reached the top 30 of the Billboard Adult Contemporary chart as well. His third single “Sway”, originally performed by Dean Martin, also reached the top 30 of the Adult Contemporary chart, while a Junkie XL remix of the song reached the top 20 in Australia in May 2004.
Bublé won the “Best New Artist” award at the Juno Awards of 2004 and his self-titled album was nominated for “Album of the Year”, but lost out to Sam Roberts.

Bublé released a Christmas EP Let it Snow in late 2003. The title track reached the top 40 of the Antartica singles chart, ironically in mid-summer in that country. He released a live album and video in April 2004 with the video reaching the top 10 of the Billboard video charts. The album also reached the top 50 of the Australian album charts as at the end of April and the Billboard 200 album charts.

Bublé has also appeared in a variety of films in the past few years including his appearance as a karaoke singer in Duets opposite Gwyneth Paltrow and Huey Lewis. He also has appeared in Totally Blonde in 2001 and in The Snow Walker in 2003.
Songs from Bublé’s debut album (“For Once in My Life”, “Kissing a Fool”) were released on the soundtrack for the Ewan McGregor/Renée Zellweger movie Down with Love, but the soundtrack also included a previously unreleased duet with Holly Palmer on the movie’s title theme. The Junkie XL remix of “Spider-Man” from Bublé’s Babalu album was played during the closing credits of Spider-Man 2, and this version was also released as a single.

It’s Time: Bublé goes mainstream

Bublé’s second studio album, It’s Time, debuted as a hugely successful sophomore performance. The album reached number 7 on the Billboard 200 album chart and number 2 on the ARIA Album Charts in Australia. It’s Time also debuted at number 4 on the UK Album Charts. The album features covers of Beatles and Ray Charles songs, and the hit single “Home”.
Bublé can be seen in Starbucks commercials singing his cover of the Jimmy Van Heusen/Sammy Cahn swing standard, “Come Fly with Me” from his debut album, and more recently, ESPN has used “Feeling Good” in commercials for poker tournaments.

Michael Bublé has now sold in excess of ten million recordings worldwide. His popularity continues to grow as he has a massive following across Europe, North America, Australia, Southeast Asia, South Africa and Brazil.

Michael Bublé won four Juno Awards (equivalent of the American Grammy Awards) at the 2006 Juno Awards in Halifax, Nova Scotia, Canada, including “Pop Album of the Year” (It’s Time), “Single of the Year” (“Home”), Album of the Year (It’s Time), and Artist of the Year. He was also nominated for the Juno Fan Choice Award, but did not win. Overall, Michael Bublé took away the most awards at the 2006 Junos.
He is managed by Bruce Allen, who also manages Martina McBride and Bryan Adams.

Bublé has collected some of the best musicians in the world to appear with him, many of which have released albums of their own. In concert, he often features an instrumental number.
On April 4, 2007, Bublé appeared on American Idol, as a last minute replacement to Tony Bennett, singing Frank Sinatra’s “Call Me Irresponsible.” He later joked with Ryan Seacrest asking, “Am I wasting my votes still voting for Antonella Barba?” The next day, members of the media speculated as to whether or not Bublé was intoxicated while on American Idol because of slurred speech and frequent laughing during his performance.

Personal life

Bublé was engaged to long-time girlfriend Debbie Timuss, a stage actor, dancer/ballerina, and singer. Both were in the musicals Red Rock Diner in 1996 and Dean Regan’s Forever Swing in 1998. Timuss was listed as one of the dedicatees in Bublé’s self-titled album Michael Bublé and It’s Time, and as background vocalist on It’s Time. While away in Italy, Bublé co-wrote the hit single “Home” for Timuss. She was also featured in his Home music video. They were later engaged in 2004 and ended their relationship in November 2005. He then dated Grammy-winning Canadian singer Emma Banigan. They met in 2004 at his concert in Toronto. He is now dating British actress Emily Blunt.

Bublé grew up with a best friend from Denmark (‘Rasmus’) with whom he celebrated julefrokost quite often. He is fond of Danish Schnapps, familiar with Danish culture and Danish drinking songs, and speaks a bit of Danish, which he mentioned at a concert in Denmark. He is also good friends with Vancouver Canucks goaltender Roberto Luongo.

Source: Wikipedia

Nicolas Sarkozy

by Jonathan on May 27, 2010 · Filed Under Politics · 5 Comments 

Nicolas Sarkozy

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Nicolas Sarkozy

Animal Human Hybrid Embryo Research Approved

by Bethany on May 14, 2010 · Filed Under Current Events, Politics, Science, World · 3 Comments 

The Human Fertilization and Embryo Authority in England has allowed the creation of part human and part animal hybrid embryos for research purposes. Once the legislation is finalized, British scientists will be able to keep hybrid embryos alive for 14 days, but not implant them into a womb. These mashup embryos must be destroyed within 14 days by current British law. The will cells form the fundamental building blocks of the body and have the propensity to evolve into any tissue, making them indispensable for research and development. It is already illegal to implant human-animal embryos in a female womb or to allow them to enter post fertilization stages.

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